After residing in lockdown, we have transformed how we interpret and interact with non-public and general public spaces, interiors and exteriors. We’ve acquired that artwork, in all of its types, like community displays and accessible commercial creations, is extra meaningful than at any time. We want artwork to link with others, to comprehend ourselves and our environments and associations, and to locate solace amid deadly pandemics, geopolitical unrest, and ongoing social strife. Occasionally, the simplest visuals and tips present the most profound solutions and anecdotes. Art that manipulates scale and navigates the nebulous oscillation among perceived truth and our imaginations is most crucial in precarious situations.
The uncomplicated, whimsical design and style of Jean Jullien has turn out to be as essential as it is ubiquitous in a entire world in dire need of joy, escape, and fancy. Follow the French graphic design artist by his inventive career, spanning illustration, pictures, video, costumes, installations, guides, posters, clothes, and skateboards. At age 39, Jullien has captivated the worldwide art globe, delighting museums and galleries in metropolitan areas this sort of as Paris, London, Brussels, Los Angeles, New York, San Francisco, Berlin, Tokyo, Seoul, and Singapore. He’s collaborated with myriad manufacturers which includes Beams, RCA Information, The Connaught, Colette, Amnesty Global, Le Coq Sportif, Jardin des Plantes (Nantes), Hotel Amour, Winner Usa, Salomon, and Petit Bateau.
Indulge in a in depth study of his career so far with a vibrant Phaidon hardcover monograph, showcasing 340 illustrations throughout 256 pages. The uplifting e-book is available to pre-order now for April 21 shipment at $69.95.
Jullien is riding the wave of his new solo exhibition, CHUT, which closed March 15 at Kantor Gallery in Beverly Hills, California. The show’s playful title borrows from the French onomatopoeic “shh.” 10 new paintings on see explored the highs and lows of browsing, and Jullien’s bold leap into good art.
Phaidon’s Jean Jullien is divided into 3 sections investigating the artist’s very own gaze into his occupation: the particular, the collaborative, and the community. His quirky artwork requires on critical subjects and has acted as a connect with and catalyst for peace and modify. Jullien published a drawing in solidarity after the Charlie Hebdo shootings in January 2015, and he reinvented the peace image to invoke the Eiffel Tower in response to the November 2015 terrorist assaults in Paris.
Individual can take visitors on a journey of Jullien’s influences and inspirations, navigating beach locations, surf, and spouse and children daily life, which include an intimate job interview concerning Jullien and his mom and dad, Sylvie and Bruno.
“You drew everything–the people around you, your environment, your dad and mom, your brothers and sisters, your grandparents, your environment, your game titles,” Sylvie Jullien reveals. “When you gave us presents, they have been normally drawings. We kept them, of system. You have often been innovative. In a way, that turned you off regular education and learning and college a bit. But as shortly as you ended up offered a opportunity to express oneself by means of drawing, you got your self discovered and could convince everyone of your talent. You utilized drawing as a way to communicate your tips.”
Collaborations draws us deeper into Jullien’s specialist everyday living, by way of interviews with Mathieu Van Damme, the founder and imaginative director of Case Studyo, and Jae Huh of Nounou. Van Damme encountered Jullien on Instagram, noting that the artist “posted pretty much daily–illustrations on every day lifetime and topics in the information.” Van Damme attained out to Jullien and their initially shared venture, Shiny Concept, was quickly born. “Yes, that was a lamp. Yes,” Jullien cheerfully notes. This chapter highlights the importance of Jullien’s prolific brand name partnerships, jogging the gamut from streetwear to drinking eyeglasses embellished with his singular droll encounter motif.
The last part illuminates Jullien’s point of view and strategy for art created exclusively for public intake, ranging from journal addresses and illustrations to colossal installations in public parks. Loran Stosskopf, artistic director of weekly French cultural and tv magazine Télérama, points out in an essay how the two labored with each other to signify COVID-19 on the glossy go over. “I knew that Jullien would promptly illustrate an image that experienced no trace of negativism or alarmism,” Stosskopf wrote in an essay for the monograph.
In the introduction, Raphaël Cruyt, who, with each other with his spouse Alice van den Abeele, established the Alice Gallery in Belgium, features context that conveys the scope and impression of Jullien’s oeuvre. “He retains up a mirror to culture in which we can all see ourselves,” Cruyt eloquently points out. “The tone is gentle, his empathy is all-natural, the information common.”
“I want we could all see the earth by way of Jean’s eyes–with this unique wonder and focus to humanity,” Sarah Andelman, the founder and creative director of Colette, a Parisian strategy retail outlet positioned on the city’s Rue Saint Honoré, expresses in the afterword.
By Phaidon’s cautious curation, we can all have a glimpse.